I remember the first I listened to Saint Thomas. How amazed I was with Sonny with how he started his solo. Playful staccato, taking a small idea, looping through great modular variations and letting it go before it being overused.
It takes genius to grasp to a wonderful idea as it arises and impeccable taste to allow it to subside gracefully before allowing life to breath through the other segments of one's message in a solo.
Superb... I recognized Sonny Rollins' mastery within the first measures of this solo
Rollins is a such a creative genius. His improvisational prowess, especially in this era, is just stunning. If you listen closely, his opening improvisational line is an echo of a simple riff Flanagan plays the second time through the head at :42. Rollins picks it up and makes a whole theme out of it. Amazing. Also, after Roach's solo, Rollins toys with him, commenting on the fact that Roach increased the tempo during his drum solo with a playful attempt to slow the tempo back down from 4:07 to 4:12, then jokingly mocking Roach by racing through a riff from 4:13 to 4:16 emphasizing the difference, then giving up with a sort of "Ok, now let's play at your speed!" with a long extraordinary lick from 4:19 to 4:30. And all the while, he is creating the most amazingly intricate lines. He is a musical genius, and master of improvisation. A Saxophone Colossus indeed.
1. Sonny Rollins (tenor saxophone); Max Roach (drums) Tommy Flanagan (piano); Doug Watkins (bass)
2. Hard Bop
3. 32 Bar
4. Love the melody of the tenor sax.