These comments all have a certain beauty, almost like jazz improvisation Solos here and there divergent views blending into one theme, but all appreciative and loving of this unique and beautiful form
I'm a pianist who used to play at a piano bar in lower Manhattan. A young man used to come in and listen to me and we'd shoot the breeze. One day he mentioned his father , Coleman Hawkins, in a sentence and I said "Hold it. What did you just say?" He was David Hawkins, his son, and I never forgot that evening.
THERE HAS ALWAYS BEEN A DEBATE ABOUT WHO WAS THE GREATEST TENOR GUY. WHAT I SAY TO THAT IS RELAX AND ENJOY THEM ALL. THEY WERE ALL GREAT. I THANK GOD FOR LETTING US HEAR THEM ALL.
With no rehearsal and just one take, Hawkins captured musical lightning. “His eyes were closed,” his pianist Gene Rodgers recalled, “and he just played as if he was in heaven.”
God said to Coleman "Trust Me" and Coleman said, "I hear you Lord"
This......is the epitome of feeling, and soul. What a masterpiece. It’s so classic, and so bouncy, but so relaxing. Unbelievable. It will forever be one the best jazz pieces of all time.
"I didn't even bother to listen to it afterwards. Got through playing it, packed up my horn and walked out." - Coleman Hawkins (on his legendary recording of "Body and Soul")
well...the most difficult thing to me is to think, that by the time this record was done the bop hadn't been born. You know, Bird, Dizzy, Miles, created modern jazz language. We used to hear phrases and licks from them. And Hawkins composed his solo when that language, that licks that are in our subconciosness just didn't exist. Unbelievable.